Ryan loses his way, more than once

Paris was kryptonite to Ryan's internal compass. He struggled mightily to get us around town. At one point, he nearly missed his 30-minute entry window for his Louvre ticket.

Ryan navigating in Reykjavik, which is exponentially easier than in Paris. 

Several city planning decisions contributed to his struggles.

• The city embraced one architectural style and stuck with it, meaning every neighborhood looks the same. 
• Like D.C., the city seems to have regulated building heights tightly. Yet somehow it was impossible to see the city's monuments (such as the Eiffel Tower) even when you're close by.
• Names are reused or similar. Sometimes you think you've gotten to the right location (Pte du Clichy), only to realize you actually needed Place du Clichy. 
• For its emphasis on uniformity, no one could decide on a single subway sign. Finding the stations is that much more challenging (when they existed at all - sometimes you simply had to walk down a staircase to find out if it was a metro stop or a parking garage). 

The cool gothic style entrances were easy to spot. 

Toward the end of our time in Paris, Ryan admitted defeat and began making decisions based on what was the opposite of his instincts. Even he will agree that we were more successful after that.

Ryan trying to get reoriented.
At least we knew which direction
the Parc Monceau was, although we weren't looking for that.

Ryan and another American tourist commiserated about never figuring out which direction was north in Paris. That was comforting for him (perhaps because I was not at all sympathetic. My exact words: "This is how I feel when navigating everywhere, all the time. It sucks.")

Ryan without his superpower did make me a little nervous about picking up the rental car within metro Paris and successfully driving it out of the city to head to our last destination, Bayeux. 

While Ryan might be stubborn, he's also smart. He bucked his deeply entrenched aversion to GPS and requested it in the rental car. The constantly recalculated routes were a godsend as we tried to get on the A13. The GPS also allowed us to add an unplanned side trip to Mont-Saint-Michel.

Ryan was effusive in his praise of this GPS experience, much to the surprise of his mother. So he added the caveat: "Only in Paris. They're still totally ridiculous everywhere else."

I skipped the Louvre and was happier for it

The Louvre is a once in a lifetime experience, and I mean that literally. I'm still recovering from the Louvre crowds of 2011, and so I politely declined a return engagement with Ryan this year. Instead, I toured the Musee d'Orsay and I loved it.

If you're not familiar with the Musee d'Orsay, it displays art created during the period 1848-1914. That includes several Impressionist and Post-Impressionist masterpieces, including works by Cezanne, Degas, Gauguin, Manet, Monet, Renoir and Van Gogh.

This group of artists were truly rebels. I really admire how they challenged the establishment.

Rick Steves' audio guide to the museum was helpful once again, though it took me about 30 minutes to find his starting point, a painting called "La Source" by Jean Auguste Dominique Ingres and two of his pupils. Considering it took Ingres 30 years to finish the painting, that seemed appropriate.

I took very few pictures. So many Impressionist paintings are truly works that one has to view in person. Neither prints nor photos do them justice.

The museum is located in a former train station and hotel. It was going to be demolished in the 1970s before it was rescued to house this collection.

I couldn't resist taking a picture of the museum's copy of "Van Gogh's Bedroom in Arles." A print of this work,  a hand-me-down from Ryan's grandmother, hung in our bedroom in Lexington, . 

These ghostly reflections caught a man sketching Degas' "Small Dancer Aged 14".

I snapped this photo of Daumier's "The Celebrities of the Juste Milieu" for Ryan. Daumier was a political cartoonist and this collection of 30 caricatures of politicians (mostly). You never know when Ryan will need a new project. 

The museum collection also celebrates sculptures, architecture and decorative arts. This is a model of the Paris Opera House. 

Our inaugural round of Parisian Theatre Bingo

Parisians have made a sport out of sitting in cafes and watching people. In fact, many cafes and brasseries along busy streets set up their chairs and tables on the porticoes to be like stadium seating. Elizabeth dubbed it “Parisian Theatre.”

Parisians (and maybe some tourists too) enjoying the drama of passing pedestrians and the anarchy of the city's traffic. 

Plenty of seats available in the front row here. 

On a hot Sunday afternoon, we decided that when in Paris, we should act Parisian and found a comfy table outside Café le Quartier General. 

And from there we developed our game of Parisian Theatre Bingo (patent pending).

Le bingo!!!! We won. Here’s some – but not all – the proof.

So. Many. Man purses. (This was one of at least 6.43 million we saw that day.)

Rolls Royce. 

Hen party on the move.

Also, there was a random parade of mostly roller bladers and some bikers. I got video of that.

We also spotted quite a few pairs in matching outfits (a faux pas in the Alessi-Price household). That included the young couple in the same Levis t-shirts and jeans and the mother and daughter wearing the same sandals and shorts. But this duo were, by far, the most coordinated. (Elizabeth snapped this shot in the Musee D'Orsay.)

Though not technically from our Parisian Theatre Bingo expedition, this deserved making the blog. 

Finally, the staged wedding shoots were prominent in Paris, but it's clearly not limited to French sites. We also noticed it in Iceland. 

Walking to the Eiffel Tower.  

On the hillside beneath the Sacre Coeur. 

Another couple at the Sacre Coeur. (These shoots were happening at the same time. I actually shot them by standing in the same spot and turning 180 degrees.)

In Iceland a week earlier, beneath the largest Lutheran Church that overlooks the city of Reykjavik. 

Allez Martin! Allez! (and other takeaways from our visit to the French Open)

Elizabeth's panoramic pic of one of the courts at Roland Garros. 

The second-largest court, which
was used for the ranked players
to practice during the qualifiers.
Centre Court wasn't open for play. 

We happened to get into Paris around the same time that the world’s best tennis players, so we figured: "What the heck? Let’s go to the French Open!"

Upon arriving at Roland Garros on May 25, for the last day of the qualifying matches, we found people dressed up in old-timey tennis outfits. And jugglers. All kinds of food. And plenty of tennis.

“It’s like a carnival," Elizabeth said.

Yes, a tennis carnival. 

We stopped to watch a practice in the smaller stadium.

The first match we watched featured Martin Klizan from Slovakia against Argentina's Juan Ignacio Londero. Klizan, just a month earlier, had defeated Novak Djokovic as a qualifier at the tournament in Barcelona. And we arrived to see Klizan win the first set but lose the second. But Klizan had a secret weapon – a fan/friend/relative/coach? – who yelled "Allez Martin! Allez!" after every point. And I mean EVERY point.

It sounded like: AH-lay Martin, Ah-LAAAY!

Martin Klizan serving in the decisive third set, which Klizan won to clinch a spot in the tournament. 

The Olde Timey Tennis pros walking the Roland Garros grounds and posing for tourists like us and this dude. 

Jugglers!

Elizabeth was fascinated by the finely choreographed ball boys and girls, who worked really hard throughout the tournament. (One boy, later in the tournament, did collide with a player in a freak accident. He was fine, though.)

The next crew waiting to tag in. 

We also joined quite a few Americans to watch American Grace Min qualify in three sets against Italian Martina Trevisan. 

Min serves in the background while a woman with a Kentucky Derby-esque hat watches with us. 

Grace Min signs autographs after qualifying for the French Open, where she would play another Italian. 

We watched parts of two other matches, including a dominant performance by Georgina Garcia Perez, who dispatched easily with her French opponent. Her serves reached 190 km per hour. And while Perez is listed as 6'2", she looked at least 7-foot-tall out there, especially when she charged the net and was still able to reach a lob that looked like it would have landed close to the back line.

Our last match, which Magdelena Frech of Poland eventually won, was interrupted by rain. Fortunately, we left in time to get a table under one of the food tents.

This giant chalkboard was being constantly and painstakingly updated throughout the day. 

Elizabeth also discovered this vending machine for cell-phone recharging. Instead of using key locks, it uses an individual's finger print. Elizabeth put mine in to charge, but we only left it in there for a few minutes because I still didn't trust it. 

Postscript: 

Unfortuntaley none of the four winners we saw made it past the second round on May 30.

Klizan (of "Allez Martin! Allez! fame) lost in three sets to crowd favorite, the Frenchman and 32^nd ranked Gael Monfils.

Georgina Garcia Perez, who provided the most impressive performance we saw in the qualifiers, easily won her first round match but had a tough draw in the second round and managed to win only one game against No. 2 player in the world Caroline Wozniacki.

As for the other two qualifiers we saw, Magdelena Frech lost 6-2, 6-2 in the second round to American Sloane Stephens and Grace Min lost her first round match.

In between matches. 

AH-lay Martin, Ah-LAAAY!